Death Katana is a Diesel Punk Fantasy World inspired by the early 1900’s. The Fascist Victorian Empire reigns supreme in the lands forcefully subjugating and colonizing those to adhere to “Victoria’s Light”. The Empress Victoria’s lust for power has driven her to invade even that of once neutral countries. Sakurei, a young woman working for her father’s trading caravan stumbles upon a strange cat man, hiding in her family’s wagon. The two form an unlikely friendship navigating the lurking presence of Victoria’s Grip.

Post-Apocalyptic Chess Comic where Chess playing robots take over future Earth and enslave humanity. Project with Agadmator (YOUTUBE)

Rumours abound that a dread plague has come to the last kingdom of Verminkind. A mouse and his rat protector struggle to survive societal collapse on their quest to the court of the Rat King, at the very bottom of the known world. Deep, deep under the earth, a formless evil stirs.

A dark psychological fantasy set in a decaying neo-medieval world. In the shadows of a crumbling city, knights and wanderers face not only each other, but their own fears and obsessions. The Voice of the Enemy is a complete 400-page graphic novel — hand-painted with pencils, ink, and watercolors. A passion project more than 20 years in the making, begun in 1999.

Nearly two centuries from now the old city of Minerva finds itself on the edge of a desert wilderness. At its center is an arcology run by the new aristocracy and their techno-Gaian religion. The paths of young Eligia and Galya are on a slow collision course caught between the dependencies and conflicts of their contrasting communities, surrounded by shadowy outlaws, and on the frontlines of a neo-feudal power struggle.

Johnny finds himself without any memories of his former life captured in a small city full of secrets and liars. What mysteries lie behind those creatures living together with humans? And will he be able to escape the suffocating madness?

Its time to be the hero you've always wanted to be. Diving into a revolutionary new video game, Marcus and his friends escape a stagnant society, entering into a world that defies their wildest imaginations. But from the moment that he logs in, Marcus finds himself separated from his friends and thrown into remote village under attack by a horde of goblins. Forced into battle, Marcus rallies the beleaguered villagers and with their help, manages to drive off the invading creatures. Realizing that this game is nothing like he's ever played before, Marcus is swept up into a whirlwind of adventure as he struggles to defend his new home, quickly finding that goblins are the least of his problems.

BLACK! is incomprehensible BLACK! is inescapable BLACK! is here

It's a time of radios and swords, a post-apocalyptic stewpot dust bowl where at least one unicorn has been sighted. Ruled by the nightmarish Queen and her time-jumping nobles, the Rook, and the Knight. A fairytale? Sure. Let's call it that. But be warned... Unicorns aren't always like in the storybooks.

In a land blighted by conflict, where the soil gives little and the seas less, a struggling, small village fisherman chances upon a sealed box. When his hopes of recovering something rare, shiny and worth more than two pickled grotlice at market are shattered with a life and death game of wits against an otherworldly three-eyed monstrosity, he figures this maybe just isn’t his lucky day. Introducing The Palace of Tears, a 120 page graphic novel reinvention of a Middle Eastern folktale of the same name. A spurned King, his bloodthirsty Queen and her undead lover, our hero will face despots and dungeons, enchanted palaces, secret kingdoms and eldritch creatures of chaos when all he really wants, is to bring home a decent catch for supper. Exploring a symbolically rich love triangle, the tale evolves into a deeper, darker deconstruction of the controlling male psyche, fear of unconstrained female sexuality and existential dread. Echoing the sumptuous golden age illustrations of Arthur Rackham and Edmund Dulac, with a twist of contemporary psychedelic horror, The Palace of Tears is the latest creation of Michael Lomon. Ten years in the making and traditionally pencilled and inked, this is an ambitious and uncompromising visual work.