Rumours abound that a dread plague has come to the last kingdom of Verminkind. A mouse and his rat protector struggle to survive societal collapse on their quest to the court of the Rat King, at the very bottom of the known world. Deep, deep under the earth, a formless evil stirs.

Its time to be the hero you've always wanted to be. Diving into a revolutionary new video game, Marcus and his friends escape a stagnant society, entering into a world that defies their wildest imaginations. But from the moment that he logs in, Marcus finds himself separated from his friends and thrown into remote village under attack by a horde of goblins. Forced into battle, Marcus rallies the beleaguered villagers and with their help, manages to drive off the invading creatures. Realizing that this game is nothing like he's ever played before, Marcus is swept up into a whirlwind of adventure as he struggles to defend his new home, quickly finding that goblins are the least of his problems.

A new Sci-fi universe created from the minds of the talented artist MARTIN KUPSKI and writer THOMAS J. CAMPBELL. Blending elements from a variety of sci-fi and horror mediums, GRIMLAND explores the grim future of humankind. A future dominated by militaristic Empires, greed-filled capitalistic corporations, and esoteric religious cabals

Annihilation has ruined everything. I see her manipulating Pear. I see her manipulating Antony. She has them wrapped around her little finger. The way she's "training" Pear to take control of her soul is vile. When I was sent to the Mines, I wasn't expecting to see her again. She has evaded the Mines for all these years. Now she's here too, and I'm the only one who can see through her. Antony and Pear have decided to come back to this foul city for God knows what reason and Annihilation has pitted them against each other. She is absolutely insidious. This can't end in anything but disaster.

So I've been sent to accompany this woman with her work. You know, to keep her from blowing up the city? She scares me a lot. It's fine, though. But there's something wrong with her. Besides her sadistic sense of humor and anger issues, I mean. Sometimes I hear her shouting at someone in the other room and nobody else is there. Just when I think I'm finally getting to understand her a little, she decides to up and leave our beautiful city! The outside world is a death trap. She'll never survive. I think she must be in big trouble. I can't stay put. What have I gotten myself into?

Johnny finds himself without any memories of his former life captured in a small city full of secrets and liars. What mysteries lie behind those creatures living together with humans? And will he be able to escape the suffocating madness?

“The Bucket of Blood” by Paul Malott is a darkly-funny comedy that takes readers on a thrilling and immersive journey into a dystopian Detroit ruled by the enigmatic Granny Schmif. This sassy splatterpunk novel combines elements of humor, action, and horror to create a unique blend of genres that keeps readers engaged from beginning to end.

BLACK! is incomprehensible BLACK! is inescapable BLACK! is here

It's a time of radios and swords, a post-apocalyptic stewpot dust bowl where at least one unicorn has been sighted. Ruled by the nightmarish Queen and her time-jumping nobles, the Rook, and the Knight. A fairytale? Sure. Let's call it that. But be warned... Unicorns aren't always like in the storybooks.

In a land blighted by conflict, where the soil gives little and the seas less, a struggling, small village fisherman chances upon a sealed box. When his hopes of recovering something rare, shiny and worth more than two pickled grotlice at market are shattered with a life and death game of wits against an otherworldly three-eyed monstrosity, he figures this maybe just isn’t his lucky day. Introducing The Palace of Tears, a 120 page graphic novel reinvention of a Middle Eastern folktale of the same name. A spurned King, his bloodthirsty Queen and her undead lover, our hero will face despots and dungeons, enchanted palaces, secret kingdoms and eldritch creatures of chaos when all he really wants, is to bring home a decent catch for supper. Exploring a symbolically rich love triangle, the tale evolves into a deeper, darker deconstruction of the controlling male psyche, fear of unconstrained female sexuality and existential dread. Echoing the sumptuous golden age illustrations of Arthur Rackham and Edmund Dulac, with a twist of contemporary psychedelic horror, The Palace of Tears is the latest creation of Michael Lomon. Ten years in the making and traditionally pencilled and inked, this is an ambitious and uncompromising visual work.