Jimi Macias
EnlighteningMagentaNomad
“she looked younger in TV”
no , vato. you need not worry in the slightest about your dialogues and storyline. I’m hooked. love the slow unfolding of the story. great pacing.
Jimi Macias
NEXT MONDAY: CHAPTER 3: The Neighborhood.
Laura has received an envelope with no return address. What could be inside? However, she has something else to worry about.
EnlighteningMagentaNomad
wow! the use of Color in the panel where she’s by the door leaving for work . that panel is of “stand alone “ quality should be in a museum or above some billionaires fireplace as a limited edition print. please let me buy a signed print … before the prices go to 6 figures. mt
Jimi Macias
NEXT MONDAY: CHAPTER 2: The Wife.
A month has passed since the hunter’s disappearance. Since then, the days have gone by with no news of his whereabouts. But that morning, something happens.
jimimacias
@ArtCrumbs Thank you so much! That really means a lot — and I’m glad to hear it was well received by your team too, wow!
To be honest, even though I’m proud of how the comic turned out, with time I realized that vector art doesn’t work for every kind of story. I come from a background in graphic design and illustration, so vector was my comfort zone — it felt natural to start reIntransextellar that way. But as the story progressed and the action became more dynamic, I started to feel the limitations.
Vectors are great for creating interesting flat compositions, but when you need to bring in more expressive angles, "camera" movement, or emotional nuance, it can become quite restrictive. I’ve come to think that vector art works best for comics that lean toward introspection or visual poetry, where the aesthetic takes center stage over narrative action.
In the end, I’ve shifted to a very different drawing style — but I guess that’s part of growing as an artist, right? 😄
Thanks again for the kind words and support!
GlidingExtraordinaryYeti
This illustration style is so unique. I'm loving it.




