One-shot 1
What I See In My Dreams
A gallery of nightmares: one word per page, one feeling per cut. High-contrast inks, abstract compositions, and a single vein of red carry you from work-day dread into predatory dark. Precision horror from Nightmare Studio. Sleep later.
One-shot 2
What I seen in My Dreams
What I Seen, closes the issue with a page built from both hands and code. We started with traditional scratch-etched inks, carved letters, and physical texture rubs. Then we pushed it through our Nightmare toolkit—algorithmic matting, procedural grain, off-register phosphor halos, and spiral placement rules that bend the composition like film being rewound. The result is a print that feels touched: blunt blacks, bone-white cuts, one arterial red confession hidden in the shards. On screens, micro-parallax and shimmer make the eye seem to breathe; in print, the mis-registration ghosts like riso. It’s not man vs. machine—it’s craft sharpened by computation.
One-shot 3
I Herd in My Dreams. (Final Book)
We progressed through several distinct visual stages, each one pushing deeper into the “dark rabbit hole”: This is the final installment of my creative journey through the world of abstract art, some old some new, but thank you for allowing me to share this journey
One-shot 4
What I Felt In My Dreams
Struggling with mental heath, what it feels like to me of struggling with your head full then getting that moment of clarity…