England, 1349. Sir Hugh de Grey, the Pale Knight, returns from war to find a land ravaged by the Black Death, and his son dying of the plague. When he prays to God to save his son’s life, it is not God who answers—but Death himself. And Death is willing to cut a deal.
England, 1349. Sir Hugh de Grey, the Pale Knight, returns from war to find a land ravaged by the Black Death, and his son dying of the plague. When he prays to God to save his son’s life, it is not God who answers—but Death himself. And Death is willing to cut a deal.
England, 1349. Sir Hugh de Grey, the Pale Knight, returns from war to find a land ravaged by the Black Death, and his son dying of the plague. When he prays to God to save his son’s life, it is not God who answers—but Death himself. And Death is willing to cut a deal.
In a desperate attempt to save his son who’s dying of the plague, hero knight Sir Hugh de Grey has made a pact with Death, who will spare his son if Sir Hugh kills Gilbert the Pure. But England has descended into phantasmagorical hell and on his quest to find Gilbert, Sir Hugh finds himself taking part in the nightmarish Dance of Death. Meanwhile Aaron of Albi is in an equally dangerous dance, as life depends on him convincing Sir Maurice Beauchamp that he possesses magical powers to keep the plague at bay. Can Aaron keeping fooling sir Maurice, will Hugh de Grey dance himself to oblivion or keep his pact with death? Flagellants, spectral line dances, fake cures, and buboes. All this and more in The Pale Knight part two.
These are the strangest of times. An innocent called Elwyna is to be burned as a witch. Sir Hugh de Grey must save his son from the nightmarish Dance of Death. Aaron of Albi seeks plague toxin from the bubo of a corpse. In part three of The Pale Knight, there is madness and poison in the air. And in the hearts and minds of men.
The Plague Maiden is doomed to do Death’s work, yet unable to die herself. But can Sir Hugh de Grey–another unwilling worker for Death–be the instrument of her release? Meanwhile, Aaron of Albi seeks death in the poison of a bubo. It’s 1342. And there’s a lot of death about.