Kosta, a man with a mysterious past, runs an old bookshop. In the shadow of books, he solves cases too tough for the police. By his side are Ilonka, the only flame of innocence; Peter, an uncle with a clerical collar and stained hands; Despina, the enigmatic Madam D.; Volodja, a boxer who fell too soon; Vida, the silent witness of hidden truths; and his brother Sandro, a lawman with a weak heart. When Kosta crosses the line for Sandro, the world falls and sin is the only language still spoken.

An infamous bandit, the man he fell for, and the barrage of bullets in their way. A 70-page original graphic novel from writer Dave Ebersole and artist Vinnie Rico about an infamous robber meeting the love of his life on his final heist.

The story is delivered in rap storytelling style and the comic strips in graffiti or murals style. This play or story does not follow the traditional 3 act story structure which is beginning, middle and end but I break it down into that structure of 2 different plays 1 and 2 separately. The victims of play 1 and 2 become victorious so they are no longer mentioned in play 3 and 4 which concentrates on the villains of play 1 and 2.

From the Compendium of The Unmasked comes a thought-provoking tale of terror with rich storytelling and finely detailed artwork to bring the pages to life. Across the Terra, the beasts of prey rule, and a new era has begun. Isolated from the rest of the world, the citizens of the lost lands are vanishing without a trace. Those who remain are stalked by Watchers of the day and hunted down by creatures of the night. What will become of all who are forced to live in this nightmare?

What if you could pinpoint the beginning of your downfall to an exact place and a precise point in time, but simply weren't able to remember what the hell truly happened? What if your memory was a question mark with multiple choice answers, where the real one always seems to elude you? How would you know to exact revenge for all the pain you'd been through, when you don't know who caused it? Wouldn't you go out on a limb? Wouldn't you start hurting people on a little more than a vague hunch? Wouldn't you go just a little bit crazy?

Four stories for four seasons

A temporary lapse in judgement on behalf of a low level goon and aggravating neighbor results in disastrous consequences for enterprising blue collar worker and troublemaking hooligan, Lee Adkins, which thrust him into the crosshairs of the Metropolitan Police, a fearsome London gangster and his firm, a ruthless Jamaican yardie posse, a violent inner city estate gang and the Albanian Mafia. Lee must evoke his inner rage to survive the oncoming gauntlet and defy the odds

Men of separate realms have converged in VINLAND. This land is populated by a painted protohistoric people. The Norse seafarers word for savage (Scraeling) is used to demean these natives with which they struggle to coexist. On this fringe of the known world to Viking-age Europeans, a clash of cultures gives rise to an ancient evil...

Mr. Crimes is a broken man in a broken city. He drinks too much, smokes too often, and drags himself through each day in a fog of regret and resentment. By night, he works a job he loathes — tracking down and punishing those who deserve it. It’s not justice. It’s not heroism. It’s just what he does, and he’s disturbingly good at it. Once, Mr. Crimes was different. He was hopeful, in love, maybe even happy. But everything changed when she disappeared without a trace. Now, all that’s left is the empty bottle, the smoke in his lungs, and a never-ending parade of criminals to hurt. This is not a story about redemption. This is about a man surviving the dark — even if he’s already part of it.

With rebellion, awareness is born, says Albert Camus. Rebellion has always been the beating heart of our artistic work. We believe that it is more important today than ever. We, that is JUW & HATH. A long time ago we started as a team. With this graphic novel our work as a team ends. When the first version of it came out of the printer, my partner JUW died unexpectedly. JUW was the most talented media poet I ever knew. All his life he was the crazy boy who did everything he could to disrupt the world's routine.

“Dance for your Life” is a neo-expressionist story told across multiple time periods. The work on it went through many different steps and phases. After the first drafts of the story, we used an AI image generator to create more than 10,000 sketches. If this is a no-go for you as a publisher, please stop reading HERE. If not, let me say that after the first step, with the generated sketches, we began to create our story against the impulses of the AI, using it as a trigger for our creativity and making it a tool for inspiration. All in all, it was an artistic process, a dialectical struggle between algorithms and human storytellers. The result is... very German, very dark, very complex.