Gwen and Wendy, an apocalyptic sci-fi horror set in the backwaters of northern England, mostly told through humour and slice-of-life fun.
The story is like JG Ballard meets Clive Barker meets James Herriot. The art is heavily inspired by Gorey, Moomins and Peanuts.
Certainly not for everyone. It's disgusting, disturbing and offensive.
Gwen and Wendy, an apocalyptic sci-fi horror set in the backwaters of northern England, mostly told through humour and slice-of-life fun.
The story is like JG Ballard meets Clive Barker meets James Herriot. The art is heavily inspired by Gorey, Moomins and Peanuts.
Certainly not for everyone. It's disgusting, disturbing and offensive.
This is how Gwen and Wendy began before it turned into a comic. A picture book celebrating the architecture of Yorkshire's great city. Also has goblins and monsters.
The first Gwen and Wendy comic.
Gwen and Wendy navigate the horrors of a post-apocalyptic Yorkshire with lots of silliness and fun.
Written very quickly and often improvised with little forethought, so this issue is a little rough and chaotic.
For adults only. It's disgusting, disturbing and offensive.
During the month of October Gwen and Wendy visit clocks in Yorkshire and contemplate international brick architecture and the life of Saint Mary.
A picture book. In chronology it sits between issue one (Doom) and issue two (Power). It was drawn during October 2023.
Largely inoffensive, but does have some swearing.
The second issue of the Gwen and Wendy comic.
Gwen and Wendy's escapades continue. Features four-panel-gags, album reviews, architectural drawings and one longer story featuring new characters.
For adults only. This one is the darkest Gwen and Wendy. Disgusting, disturbing and offensive.
The third Gwen and Wendy comic, and the first half of a two part story. Gwen and Wendy discover survivors in a town called Dewsbury, who themselves are looking for Gwen and Wendy.
Something of a departure from the previous issues. No gags. No reviews. Just one half of a large story. Also uses 9 panels per page, unlike the previous 12, allowing the artwork more space.
Nowhere near as grotesque as the other two issues, but still quite bad. Only for adults.
The Sludge story concludes in this, the fourth issue of the Gwen and Wendy comic.
Features a long story, five architecture pictures and a plethora of four-panel-gags.
Body horror comedy SF fantasy, etc etc. Expect disgusting, disturbing and offensive imagery and themes. If you've made it this far you know what to expect. Not for children.
A mini comic. Gwen is selling her comic, 'Fanny and Frida', in Newcastle at a Goblin market. Wendy is doing her best to support her.
Has lots of swearing and some rude humour.
Gwen and Wendy visit Lancaster in Lancashire. They look at buildings and have a lovely time. A mixture of architectural drawings and four-panel-gags, with lots of Goblins.
Not for children. Has foul language and rude humour.
Issue 5 of the main series.
Gwen and Wendy are elsewhere. Meanwhile seven girls wake in a field in Yorkshire with their memories gone, dressed like soldiers from the English civil war.
Not for children
The seven girls journey to a civil war battle site, hindered by troubles both internal and external. Meanwhile Theodora searches for her mothers.
Contains foul language, nudity and disturbing themes. Not for children