Omnibus 1
Flinch Book One
The legendary Vertigo horror anthology that will get under your skin-one slice at a time.
It's the little things in life that matter most: the tiny leak in the fuel line; the faint smell of decay that won't wash off; the way a knife blade catches the light. These are the things that stick with us, no matter how much we want to forget-the things that make us flinch.
No one is more familiar with this unnerving territory than the twisted souls whose hallucinatory work is preserved between these covers-an unprecedented gathering of fever dreams and waking nightmares scraped directly from the darkest corners of the greatest minds in comics.
Collects FLINCH #1-8. Featuring work by Brian Azzarello, Jim Lee, Garth Ennis, Frank Quitely, Bill Willingham, Richard Corben, Eduardo Risso, Bill Sienkiewicz and many more.
Omnibus 2
Flinch Book Two
This legendary Vertigo horror anthology will blow your mind—provided it's still attached to your body.
You never know what will set someone off: a child wandering away from their parent; an elevator door opening on a private moment; a phone call to a stranger in the middle of the night. The most innocent of actions can lead to the most dire of consequences—just thinking about it is enough to make you flinch.
No one apprehends this disturbing tendency better than the warped talents whose paranoid ravings are contained within these pages—an alarming compendium of frenzied hallucinations and lurid musings pulled directly from the glistening brainpans of the greatest minds in comics.
Featuring work by John Arcudi, Bernie Wrightson, Bruce Jones, Frank Quitely, Joe R. Lansdale, Bruce Timm, Mike Carey, David Lloyd and many more, FLINCH BOOK TWO collects FLINCH #9-16.
Issue 1
Flinch (1999-) #1
An ongoing horror anthology, featuring Jim Lee's first story art for a DC title. Three tales of modern horror for the new millennium, including "The Rocketman" (written by Richard Bruning, with art by Jim Lee), "Wolf Girl Eats" (written by Bruce Jones, with art by Richard Corben), and "Nice Neighborhood" (written by Jen Van Meter, with art by Frank Quitely).
Issue 2
Flinch (1999-) #2
This horror anthology offers three offbeat horror stories to darken your summer days, VERTIGO-style. A silent child discovers a microscopic world that others don't want her to see in "Maggie and Her Microscope" (written by Dean Motter with art by Bill Sienkiewicz); a pair of feds on surveillance play a sordid game of psychological chess in "Food Chain" (written by Brian Azzarello with art by Eduardo Risso); and a young woman discovers a ghastly photograph on a street corner, only to discover that it's the first piece to an even more gruesome puzzle, in "Found Object" (written by Bob Fingerman with art by Pat McKeown).
Issue 3
Flinch (1999-) #3
VERTIGO's new ongoing horror anthology offers three offbeat horror stories to darken your summer days and nightmares. In "Satanic," that well-known star-crossed ship on its maiden voyage goes down yet again in a horrific yarn based on a nightmare (written by Garth Ennis); in "Night Terrors," a young boy awaits his primal fear in front of a ticking grandfather clock; and in "A Walk In the Park," a stroke-ridden old woman is taken for a sadistic spin through Central Park by her homicidal nurse.
Issue 4
Flinch (1999-) #4
Three quirky horror tales to cool your blood, VERTIGO-style…
In "A Gift of Friendship" (written and illustrated by Kent Williams), rival sportsmen collide in the snow-drenched mountains for a tale of betrayal, revenge, and the fine art of double-cross; in "Playing Dead" an AWOL soldier assumes a dead man's identity-only to learn that his lovely new wife has secrets that he can't begin to comprehend; and in "Fair Trade" (written and illustrated by Ty Templeton), a regular guy tries to barter his soul for love, only to get hit up by a host of demonic pitchmen.
Issue 5
Flinch (1999-) #5
Three horror ditties to chill the summer air. In "Betrothed," by Joe R. Lansdale and Rick Burchett, a desperate man goes to the cemetery with a shovel and thoughts of marriage. In "Fumes," by BREATHTAKER's Mark Wheatley and Marc Hempel, a cocky corporate polluter pays through the nose for his crimes against nature. And in "Peeping Bob," by Colin Raff and James Romberger, a voyeur sees more than he bargained for as he is drawn into a bizarre game played by his neighbors.
Issue 6
Flinch (1999-) #6
Three horror ditties to chill the summer air. In "Betrothed," by Joe R. Lansdale and Rick Burchett, a desperate man goes to the cemetery with a shovel and thoughts of marriage. In "Fumes," by BREATHTAKER's Mark Wheatley and Marc Hempel, a cocky corporate polluter pays through the nose for his crimes against nature. And in "Peeping Bob," by Colin Raff and James Romberger, a voyeur sees more than he bargained for as he is drawn into a bizarre game played by his neighbors.
Issue 7
Flinch (1999-) #7
A trio of disturbing tales for cold autumn nights. A woman struggles with anger that has followed her to the grave-literally-in "Dead Woman Walking" (written by William Messner-Loebs); after boredom takes hold of his marriage, a man finds comfort in the arms of an otherworldly mistress in "The Daywife" (written and pencilled by Phil Hester); and a couple housebound by their monstrous child drifts towards an even more monstrous solution in "El Ogro."
Issue 8
Flinch (1999-) #8
A three-course meal of stories that's certain to leave you feeling queasy. In "Guts," written by Greg Rucka (BATMAN, Whiteout), a pair of Feds bites off more than they can chew when they pursue a paramilitary nut to his backwoods hometown. And in "The Wedding Banquet," a group of 13th-century devil worshippers plan to sacrifice a seemingly helpless young girl who holds dark secrets of her own. In "The Lotus Shoes," a young Chinese girl receives a harsh lesson about the ties that bind.
Issue 9
Flinch (1999-) #9
Three tales of holiday horror to read by the fireside, wrapped in a painted cover by Alex Ross (KINGDOM COME, UNCLE SAM). A car crash survivor discovers that the accident is only the beginning of his troubles in "The Harvester." Next up, a mother desperately searching for her lost son in a shopping mall hears an eerily familiar story of Christmas tragedy in "Mostly White." And, a man forced to babysit a corpse is left with only his increasingly paranoid thoughts to keep him company in "Sitter."
Issue 10
Flinch (1999-) #10
A trio of gritty tales to make you question what you've always taken for granted. A man in an everyday bar dials a phone number promising a good time and gets anything but in "Last Call," written by Brian Azzarello (100 BULLETS, HELLBLAZER). A religious young mother-turned-drug-courier bears an unholy albatross in "The Mule," written by Tony Bedard with art by David Lloyd (V FOR VENDETTA). And "In the Pink" is exactly where a pornographer ain't when he seeks sanctuary from the Feds with a family friend in a story written by Ken Rothstein and Frank Teran (HELLBLAZER, BATMAN: NO MAN'S LAND Volume 2).
Issue 11
Flinch (1999-) #11
Like a box of cyanide-filled chocolates, this very special Valentine's Day issue features bitter surprises that go down with deceptive smoothness. When a bored sadomasochistic couple tries to re-spark their relationship, they plummet from the sordid to the extreme in "Red Romance" (written by Joe R. Lansdale with art by Bruce Timm); a lonely man purchasing "Boil-in-the-bag-Girlfriend" finds life is about to get very complicated in "Pre-Packed" (written by Ian Carney with art by Dave Taylor); and a wife-beating ex-con undergoing a radical new organ replacement treatment learns there's no such thing as true repentance in "Emergent" (written by John Rozum with art by Cliff Wu Chiang).
Issue 12
Flinch (1999-) #12
A disabled Gulf War veteran asks a truly depraved favor in the name of saving his marriage in "Watching You" (written by Bruce Jones and illustrated by Frank Quitely); corporate downsizing takes on a dark new meaning in "Mondays" (written by Scott Cunningham and illustrated by Essad Ribic); and a rain-slicked graveyard hosts a cat-and-mouse game between man and monster in "Tin God" (written by John Arcudi and illustrated by Ryan Sook).
Issue 13
Flinch (1999-) #13
Chockfull of hubris and dark whimsy are three stories to remind you to keep your nose clean. Two mischievous, prank-playing boys stumble onto a discovery that's a far cry from child's play in "The Shaft." Then, a would-be mass-murderer hits a critical point in his development in "Dr. Bizarre." And, in the deep South, a cocky young jazz musician-who happens to be a hare-makes a deal with the devil in "Bre'r Hoodoo."
Issue 14
Flinch (1999-) #14
In this final issue of Flinch, a look at the dark side of human nature haunts this trio of creepy tales. Three wealthy Victorian lords quench their appetite for blood in "The Wedding Breakfast." Then, a medical experiment brings new meaning to the word "speed" for a hopeful HMO employee seeking life in the fast lane in "A Temporary Life." And, a young man slides down the slippery slope of a seedy XXX-rated show in "Descent."
Issue 16
Flinch (1999-) #16
A look at the dark side of human nature haunts this trio of creepy tales. Three wealthy Victorian lords quench their appetite for blood in "The Wedding Breakfast" (written by Mike Carey with art by Craig Hamilton); a medical experiment brings new meaning to the word "speed" for a hopeful HMO employee seeking life in the fast lane in "A Temporary Life" (written by Charlie Boatner with art by Philip Bond); and a young man slides down the slippery slope of a seedy XXX-rated show in "Descent."