Content with mediocrity in an increasingly automated society, Guy Everyman's life is forever transformed one day walking home from work. A hero, Awesoman is born, through forces beyond Guy's control, he is now a super powered being, and must adjust to this drastic change in his reality.

CS: 1985 is a sexy, gritty, “0 magic” analogpunk/fantasy detective noir set in an alternate Chicago in the 1980s—a crazy universe where brolic robot bouncers rub shoulders with hot half-elven bartenders, ork gangsters trade fire with corrupt, overworked police forces daily, and man has reached the stars and made alien contact. It principally follows two private detectives (a dwarf/human “buddy-cop”-style team) who live, work, and love in a “retrofuturist” version of the 1980s where the computer was invented about 100 years earlier than in our universe… with all the crazy knock-on downstream effects that entails. Visually, CS: 1985 aims for a sort of “happy marriage” between the grimy, industrial future imagined by late-70s and 80s sci-fi and the chunky analog design language of the decade itself. Think the lived-in hardware of Star Wars filtered through a 1980s “Cassette Futurism” aesthetic—rotary-dial cell phones connected to networks, advanced computational arrays that still run on high-density floppies, neon-lit control panels bristling with switches and cathode displays. It’s the grungy analog-digital hybrid future that 80s movies and television often hinted at… but realized as if the technology had actually existed at the time. Tonally you can think somewhere between Sean Connery’s Outland, Blade Runner, and Dynamix’s immaculate point-and-click masterpiece Rise of the Dragon. Add a loving nod to Chicago, mix in elves, dwarves, centaurs, and gnomes (among many others) explained through science rather than magic, and you’ve got the world of CS: 1985. Enjoy! Rob O'Driscoll (Writer/Creator./Editor) Frank DaCosta (Illustrator/Inker/Colorist/ Letter/Cover)

Atlas Moore is a humble mechanic from the middle of nowhere who is struggling to pay off his debt to a gang, when he is one day confronted with the truth of what he really is; a half human, half alien result of government testing. Armed with other-worldly powers he has yet to master, will he agree to come to the aid of Sirrok, the home planet he's never known, to save it from the vengeful wrath of Lorian, The Exiled King?

Pillan had never asked for the life that shaped him. At thirteen, a single bite from a Zeta werewolf changed him forever, binding him to a lineage of shapeshifters he never truly understood. The transformation turned him into a homid capable of becoming an Arctic wolf—one of the rarest, whitest subspecies of the White wolf, a creature born for cold desolation and pure silence. Twenty-seven years later, he had no pack, no home, and no family. Instead, he wandered the world like a ghost—part man, part myth—drifting from continent to continent with nothing but instinct to guide him. It was that same instinct that led him, one bleak evening, to a place few outsiders ever stumbled upon: Glasmoran — The City of First Hearth Glasmoran was a name whispered more than spoken. A small, unknown city tucked far from major routes or maps, its title—City of First Hearth—was a cruel irony. What should have been a place of beginnings had rotted into a place of endings. The city showed its decay immediately: Entire districts of abandoned, blighted buildings, windows boarded, roofs collapsing, doors swaying on broken hinges. Cracked roads, half-flooded from drainage systems that had long stopped working. Basic services failing—electricity that flickered like a dying candle, trash that piled on corners until residents burned it in open heaps. Streets choked with litter, detritus, even human waste, as if the city itself had given up. Legitimate stores were rare. Where one might expect markets or grocers, there were only liquor shops, empty storefronts, and half-shuttered businesses that looked moments away from collapse. But the true infection eating Glasmoran alive had a name. Written by POPSEEHESAID4950

A series of stories about genetically modified Space Explorers owned and developed by YEBRA to aid in the expansion of the Human Empire.

Sometimes... things start from the very start.

Far off in the Outer Regions, there is a planet. A very large, secluded melting pot of a world, known as Valaxia. people come to this world to achieve their dreams, to find work, run from the law or...find a fresh start. Create a new name for themselves. A new life. That is why Milo Dunbar came to Valaxia. He thought life would be simple here. But he will soon realize that is not the case. Yep, it would seem that Milo Dunbar's life is about to get a lot weirder.

The twisted story of Dr. Schneider and his experiments - innocent and unwilling people who have undergone torturous and horrific procedures that have turned them into freaks. But now, the freaks have decided to fight for their lives and their freedom, to use their powers for good, and to stop Dr. Schneider once and for all. An Angry Skwrl Comics & Beyond The Page collaboration. By Corey Balbuena and Lee Giles.

What's a lonely alien frog to do as the last of their kind in the wild? Hop onto the next spaceship they see, that's what!

Chathura Vax is a professional thief in a broken universe where chaos is just Tuesday. She needs 25,000 krits to keep her sister out of a state facility she won't survive. She's almost there. One job stands between her and the finish line. The buyer is already dead when she arrives. BoredSpace is a sci-fi graphic novel about exhausted people trying to do their jobs while everything falls apart. The humor comes from how people cope with genuine danger and dysfunction — not from cleverness, but from recognition. The universe is broken and everyone has found their own failing strategy for getting through it. No plot armor. Real consequences. Dark comedy that earns it. Written by P.A. Lopez. Art by Samuel Bermudez. From Brain Poison Comics.