Two diplomats are lost in space, clash against bats&%t crazy civilizations, and try not to kill each other on their quest to return home.

CS: 1985 is a sexy, gritty, “0 magic” analogpunk/fantasy detective noir set in an alternate Chicago in the 1980s—a crazy universe where brolic robot bouncers rub shoulders with hot half-elven bartenders, ork gangsters trade fire with corrupt, overworked police forces daily, and man has reached the stars and made alien contact. It principally follows two private detectives (a dwarf/human “buddy-cop”-style team) who live, work, and love in an “retrofuturist” version of the 1980s where the computer was invented about 100 years earlier than in our universe… with all the crazy knock-on downstream effects that entails. Visually, CS: 1985 aims for a sort of “happy marriage” between the grimy, industrial future imagined by late-70s and 80s sci-fi and the chunky analog design language of the decade itself. Think the lived-in hardware of Star Wars filtered through a 1980s “Cassette Futurism” aesthetic—rotary-dial cell phones connected to networks, advanced computational arrays that still run on high-density floppies, neon-lit control panels bristling with switches and cathode displays. It’s the grungy analog-digital hybrid future that 80s movies and television often hinted at… but realized as if the technology had actually existed at the time. Tonally you can think somewhere between Sean Connery’s Outland, Blade Runner, and Dynamix’s immaculate point-and-click masterpiece Rise of the Dragon. Add a loving nod to Chicago, mix in elves, dwarves, centaurs, and gnomes (among many others) explained through science rather than magic, and you’ve got the world of CS: 1985. Enjoy! Rob O'Driscoll (Writer/Creator./Editor) Frank DaCosta (Illustrator/Inker/Colorist/ Letter/Cover)

A series of stories about genetically modified Space Explorers owned and developed by YEBRA to aid in the expansion of the Human Empire.

Melody and Tyrus find that sharing close quarters can have its ... challenges!

After a mysterious hole opens in the Egyptian desert, horrific creatures climb out and wreak havoc on a nearby city. They retreat as quickly as they arrived, leaving the planet in shock by this unfathomable event. A team of elite specialists from around the globe called "Canary One" are sent after the monsters to discover more about them. But when the crew never returns, the world must prepare for the possibility of another wave of attacks.

Far off in the Outer Regions, there is a planet. A very large, secluded melting pot of a world, known as Valaxia. people come to this world to achieve their dreams, to find work, run from the law or...find a fresh start. Create a new name for themselves. A new life. That is why Milo Dunbar came to Valaxia. He thought life would be simple here. But he will soon realize that is not the case. Yep, it would seem that Milo Dunbar's life is about to get a lot weirder.

Sometimes... things start from the very start.

Adventures of Daft Rove

What's a lonely alien frog to do as the last of their kind in the wild? Hop onto the next spaceship they see, that's what!

Chathura Vax is a professional thief in a broken universe where chaos is just Tuesday. She needs 25,000 krits to keep her sister out of a state facility she won't survive. She's almost there. One job stands between her and the finish line. The buyer is already dead when she arrives. BoredSpace is a sci-fi graphic novel about exhausted people trying to do their jobs while everything falls apart. The humor comes from how people cope with genuine danger and dysfunction — not from cleverness, but from recognition. The universe is broken and everyone has found their own failing strategy for getting through it. No plot armor. Real consequences. Dark comedy that earns it. Written by P.A. Lopez. Art by Samuel Bermudez. From Brain Poison Comics.