The CORE IDEA behind the Work is defined by 2 concepts. 1. In Will Eisner’s book COMICS AND SEQUENTIAL ART, he describes his approach to the page as a META-PANEL. And I thought, why can’t we stretch that concept to absorb the entire comic issue or arc or the entirety of the narrative? But HOW? Enter the Key, and Concept 2: Orson Welles’ approach to editing movies. He said, I paraphrase, “I can’t make a movie until I understand its (visual) musicality.” Musicality is the secret ingredient to turning a meta-panel to a meta-comic. What is a META-COMIC? (to be contd.)
